By focusing on Gianni Amelio’s film I ragazzi di via Panisperna, this paper aims to show the exemplary character of the disappearance of Ettore Majorana starting from the interpretations by Leonardo Sciascia and Giorgio Agamben. Starting from the idea of “simplicity” as an aesthetical answer to the question raised by Majorana’s story, the analysis will attempt to highlight the main filmic strategies employed to represent the life of the young scientist and its consequences for a theory of biographical narrative.
Una storia semplice. "I ragazzi di via Panisperna" di Gianni Amelio e l’opera come limite della biografia / Tagliani, G.. - In: K. - ISSN 2609-2484. - 14(2025), pp. 1-12. [10.54563/revue-k.1556]
Una storia semplice. "I ragazzi di via Panisperna" di Gianni Amelio e l’opera come limite della biografia.
Tagliani, Giacomo
2025
Abstract
By focusing on Gianni Amelio’s film I ragazzi di via Panisperna, this paper aims to show the exemplary character of the disappearance of Ettore Majorana starting from the interpretations by Leonardo Sciascia and Giorgio Agamben. Starting from the idea of “simplicity” as an aesthetical answer to the question raised by Majorana’s story, the analysis will attempt to highlight the main filmic strategies employed to represent the life of the young scientist and its consequences for a theory of biographical narrative.
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