In our contemporary media-scape, digital media offer to us new remaking and reworking opportunities, sometime even as a simple and ludic practice of consumption and re-appropriation of texts. Any film considered as a text already contains discursive strategy that will limit its interpretation (Eco 1990). But as Bazin (1952) said a remake could be useful to multiply the sense of the source text. In an æsthetic of repetition the remake becomes the "typical mutant object of the post-modern era". Remaking seems therefore to feature like an intertextual, interpretative and transforming strategy, or better a translating and transmedial strategy that, to greater or lesser degrees, can construct and maintain explicit ties with a source text using it as a storehouse or archive of structural invariants, levels of the expression and of content.
Remaking as a Practice: Some Problems of Transmediality / Dusi, Nicola Maria. - In: CINEMA & CIE. - ISSN 2035-5270. - STAMPA. - vol. XII, n. 18(2012), pp. 115-127.
Data di pubblicazione: | 2012 |
Titolo: | Remaking as a Practice: Some Problems of Transmediality |
Autore/i: | Dusi, Nicola Maria |
Autore/i UNIMORE: | |
Rivista: | |
Volume: | vol. XII, n. 18 |
Pagina iniziale: | 115 |
Pagina finale: | 127 |
Citazione: | Remaking as a Practice: Some Problems of Transmediality / Dusi, Nicola Maria. - In: CINEMA & CIE. - ISSN 2035-5270. - STAMPA. - vol. XII, n. 18(2012), pp. 115-127. |
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