In our contemporary media-scape, digital media offer to us new remaking and reworking opportunities, sometime even as a simple and ludic practice of consumption and re-appropriation of texts. Any film considered as a text already contains discursive strategy that will limit its interpretation (Eco 1990). But as Bazin (1952) said a remake could be useful to multiply the sense of the source text. In an æsthetic of repetition the remake becomes the "typical mutant object of the post-modern era". Remaking seems therefore to feature like an intertextual, interpretative and transforming strategy, or better a translating and transmedial strategy that, to greater or lesser degrees, can construct and maintain explicit ties with a source text using it as a storehouse or archive of structural invariants, levels of the expression and of content.

Remaking as a Practice: Some Problems of Transmediality / Dusi, Nicola Maria. - In: CINEMA & CIE. - ISSN 2035-5270. - STAMPA. - vol. XII, n. 18(2012), pp. 115-127.

I documenti presenti in Iris Unimore sono rilasciati con licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 3.0 Italia, salvo diversa indicazione.
In caso di violazione di copyright, contattare Supporto Iris

Powered by IRIS-about IRIS-Utilizzo dei cookie

 Copyright © 2021