Skeletons of buildings, dust, men working. In the background we hear words coming from a radio. Filmed in a single, even sequence using black and white film, a group of rescuers and humanitarian workers are busy in a silent search for survivors and bodies in the ruins of a bombed house of Beirut. The film allows us to feel the unbearable horrors of death that are inflicted on the unarmed.
MOUJARAD RAIHA. MERELY A SMELL / Iervese, Vittorio. - (2008), pp. 28-34.
MOUJARAD RAIHA. MERELY A SMELL
IERVESE, Vittorio
2008-01-01
Abstract
Skeletons of buildings, dust, men working. In the background we hear words coming from a radio. Filmed in a single, even sequence using black and white film, a group of rescuers and humanitarian workers are busy in a silent search for survivors and bodies in the ruins of a bombed house of Beirut. The film allows us to feel the unbearable horrors of death that are inflicted on the unarmed.
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