By focusing on Salò, o le 120 Giornate di Sodoma (1975), this article investigates the relationship between the actorial dimension and the reflections about society and power that Pasolini was developing right in those years. Thus, the analysis of the self-reflexive component discloses a specific politic attitude, showing at the same time the complex poetics of acting conceived by the director throughout the years.
Dopo il genocidio. Politiche dell’attorialità in Salò o le 120 giornate di Sodoma / Tagliani, Giacomo. - In: ARABESCHI. - ISSN 2282-0876. - 20:(2022), pp. 369-375.
Dopo il genocidio. Politiche dell’attorialità in Salò o le 120 giornate di Sodoma
tagliani
2022
Abstract
By focusing on Salò, o le 120 Giornate di Sodoma (1975), this article investigates the relationship between the actorial dimension and the reflections about society and power that Pasolini was developing right in those years. Thus, the analysis of the self-reflexive component discloses a specific politic attitude, showing at the same time the complex poetics of acting conceived by the director throughout the years.
| File | Dimensione | Formato | |
|---|---|---|---|
|
Galleria_n20_tagliani.pdf
Open access
Tipologia:
Versione pubblicata dall'editore
Dimensione
904.01 kB
Formato
Adobe PDF
|
904.01 kB | Adobe PDF | Visualizza/Apri |
Pubblicazioni consigliate
I metadati presenti in IRIS UNIMORE sono rilasciati con licenza Creative Commons CC0 1.0 Universal, mentre i file delle pubblicazioni sono rilasciati con licenza Attribuzione 4.0 Internazionale (CC BY 4.0), salvo diversa indicazione.
In caso di violazione di copyright, contattare Supporto Iris
