The advent of ourselves as others. Family films and anthropology

The aim of this article is to propose an anthropology of a peculiar document that is the amateur family film. These intimate visual doc- uments represent a privileged space for an anthropological approach, which has developed its discourse on the construction and projection of differences, similarities, and otherness. Starting from the definition of what “familiar” means in the family film, I will articulate anthropo- logical thinking on footage with ethnographic practices, in search for convergences and distances, through the analysis of a family archive filmed by a woman of peasant origin, from the early 1960s to the 1980s, between Emilia Romagna, Indonesia and Saudi Arabia. I suggest that these visual fragments, only partially filled with meaning by the words of those who made them, are spaces with the capacity to show -also through an undisciplined aesthetic- a different “us”, an invisible relat- edness. It is a suspended projection, neither celebratory or predatory, of the places, objects and subjects encountered.