"¿La vuelta a los dos demonios? Cine y pasado reciente en Argentina: una lectura actual"

This article focuses on the three “moments of memory” (Zarco, 2016: 12-13), meaning the space, the visibility and the limits that different governments have given to the reconstruction of Argentine recent past. Depending on the mnemonic strategy followed by each government, films productions have had more or less state support, thus implying greater or lesser public impact. To deal with the politics of memory of the current Argentine government, we must look into what we call the fourth moment of memory, “the return to the two demons (2016)”, with the return to the “theory of the two demons”, already suggested during the government of Alfonsín (1983-1989).