ESTRANGEMENT

Manera, Lorenzo

doi:10.7413/18258630121

ESTRANGEMENT / Manera, L.. - (2022), pp. 1-5. [10.7413/18258630121]

ESTRANGEMENT

Lorenzo Manera

2022

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Scheda completa

Scheda completa (DC)

	Anno di pubblicazione
	
				2022
			
	Codice DOI
	
				https://dx.doi.org/10.7413/18258630121
			
	Indirizzo WEB
	
				https://lexicon.mimesisjournals.com/international_lexicon_of_aesthetics_item_detail.php?item_id=120
			
	Titolo del Volume
	
				“International Lexicon of Aesthetics”, Vol. 5
			
	Pagina iniziale
	
				1
			
	Pagina finale
	
				5
			
	Codice ISBN del Volume
	
				9788857592633
			
	Nome editore
	
				Mimesis
			
	Paese Editore
	
				ITALIA
			
	Città editore
	
				Milano
			
	Lingua/e di pubblicazione
	
				Inglese
			
	Parole chiave
	
				It. Straniamento; Fr. Éloignement; Germ. Verfremdung; Span. Extrañamiento. The roots of the concept of 
Estrangement can be traced back to Shklovsky’s 1917 essay “Art as Device” (Boym 2017). In the essay, the 
Russian formalist first proposed the neologism ostranenie (estrangement), which suggests distancing, 
dislocation and something becoming strange (Trebeß 2006; Sutherland 2012). Solomon (2012) argued 
that, in Shklovsky’s view, the effect of estrangement is produced by adopting an unorthodox point of view 
on a given object or topic, by thinking of the world as a question, an exercise of wonder that distances the 
automatically recognizable and the perceptible, a perception of the world with a strained sensitivity. 
According to Chernavin and Yampolskaya (2019), the concept of estrangement refers to a displacement 
from what a certain element appears because of an estranging detail, displacing different aspects of reality 
from an everyday context into a reinvented framework, returning sensation to life itself. Furthermore, the 
device of estrangement places emphasis on deferral and cognitive ambivalence, caused by a device that 
breaks up the routinized forms of perception. Both the reception and the complex cultural origins of 
Shklovsky’s idea of estrangement, involving German Romanticism, the philosophy of Henry Bergson,
Tolstoy’s poetics as well as Russian and Italian futurism, are discussed in the contemporary debate.
			
	Citazione
	
				ESTRANGEMENT / Manera, L.. - (2022), pp. 1-5. [10.7413/18258630121]
			
	Tutti gli autori
	
						Manera, Lorenzo
					
	Tipologia
	
				Contributo su VOLUME::Voce in Dizionario o Enciclopedia
			
	Fulltext
	
				open
			
	Tipologia sito docente
	
				271
			
	Numero autori
	
				1
			
	Tipologia
	
				info:eu-repo/semantics/bookPart
			
	Tipologia
	
				Voce in Dizionario o Enciclopedia

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