This contribution aims to analyze can. XII of the XXIV session of the Council of Trent, approved on 11 November 1563. This is a rule of particular importance for sacred music not only because it prescribes that in song the words are called "distincte devoteque", but above all because, through a legislativedelegation- conferring-jurisdiction, identifies the bodies responsible for issuing new regulatory acts in the provincial synods. The principle of territoriality is mitigated by the reference expressed to custom. One wonders: is there a naturalis ratio in music? In an attempt to offer answers, the author takes as reference two moments characterizing the musical phenomenon: the original duplicity inscribed in the Greek word mousiké and the law of the Church of Rome, in particular natural law.

Bābēl / Borghi, Alex. - In: DE MUSICA. - ISSN 2465-0137. - XXIII:2(2019), pp. 75-93.

Bābēl

Borghi Alex
2019

Abstract

This contribution aims to analyze can. XII of the XXIV session of the Council of Trent, approved on 11 November 1563. This is a rule of particular importance for sacred music not only because it prescribes that in song the words are called "distincte devoteque", but above all because, through a legislativedelegation- conferring-jurisdiction, identifies the bodies responsible for issuing new regulatory acts in the provincial synods. The principle of territoriality is mitigated by the reference expressed to custom. One wonders: is there a naturalis ratio in music? In an attempt to offer answers, the author takes as reference two moments characterizing the musical phenomenon: the original duplicity inscribed in the Greek word mousiké and the law of the Church of Rome, in particular natural law.
2019
XXIII
2
75
93
Bābēl / Borghi, Alex. - In: DE MUSICA. - ISSN 2465-0137. - XXIII:2(2019), pp. 75-93.
Borghi, Alex
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11380/1266769
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