Among the many representations of migration, relevant prominence has been acquired by multimedia biographic discourses and digital enriched documentaries that reproduce the direct experience of migrants and their relationship with hosting societies. This paper aims at proposing a scale of the possible degrees of proximity or closeness in the contemporary media discourses about migration. Drawing on the semiotics of media experience, we focus on how biographic theatrical video, digital artistic based VR installation, data visualization platforms and web documentaries contribute to shape the figure of the migrant and of the border, and how they challenge the dialectic opposition between presence and distance in regard of the migration experience. In this direction, contemporary discourses on migration and migrants’ digital biographies are not only characterized by recovering the so called “capture of speech” of migrants or what idea of border and Self has been produced. Indeed, they are marked by their capacity to generate effects of presence of and to the direct experience of the migrants’ lives.
Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration / Razzoli, D.; Dusi, N.. - In: CINERGIE. - ISSN 2280-9481. - 16:(2019), pp. 79-93. [10.6092/issn.2280-9481/9750]
Experiencing the Presence: Degrees of Closeness in the Digital Biographies of Migration
D. Razzoli
Writing – Original Draft Preparation
;N. Dusi
Writing – Original Draft Preparation
2019
Abstract
Among the many representations of migration, relevant prominence has been acquired by multimedia biographic discourses and digital enriched documentaries that reproduce the direct experience of migrants and their relationship with hosting societies. This paper aims at proposing a scale of the possible degrees of proximity or closeness in the contemporary media discourses about migration. Drawing on the semiotics of media experience, we focus on how biographic theatrical video, digital artistic based VR installation, data visualization platforms and web documentaries contribute to shape the figure of the migrant and of the border, and how they challenge the dialectic opposition between presence and distance in regard of the migration experience. In this direction, contemporary discourses on migration and migrants’ digital biographies are not only characterized by recovering the so called “capture of speech” of migrants or what idea of border and Self has been produced. Indeed, they are marked by their capacity to generate effects of presence of and to the direct experience of the migrants’ lives.File | Dimensione | Formato | |
---|---|---|---|
Dusi Razzoli art Cinergie 2019 online.pdf
Open access
Descrizione: articolo pubblicato on line
Tipologia:
Versione pubblicata dall'editore
Dimensione
140.45 kB
Formato
Adobe PDF
|
140.45 kB | Adobe PDF | Visualizza/Apri |
Pubblicazioni consigliate
I metadati presenti in IRIS UNIMORE sono rilasciati con licenza Creative Commons CC0 1.0 Universal, mentre i file delle pubblicazioni sono rilasciati con licenza Attribuzione 4.0 Internazionale (CC BY 4.0), salvo diversa indicazione.
In caso di violazione di copyright, contattare Supporto Iris