The convergent community gathered around the web since the Nineteen-Nineties has generated and is still generating a crucial phaenomenon of intersemiosis whereby iconic language acquires prerogatives traditionally ascribed to verbal language and vice versa ; a process equal but opposite to that of Protestant iconophobia during the xvi and xvii century as described by Ellen Spolsky and resulting in the production of a distinctive « cognitive hunger ». At a high quality level, Murakami's work shows how today the narratives most and better involved in this phaenomenon of intersemiosis can develop and emerge in renewed forms. Such a process facilitates adaptations of a text from verbal to visual, and explains why, starting with Murakami, a lot of successful novelists have matured an experience in screenwriting.

Il realismo magico di Murakami si costruisce attraverso la permutazione semiotica delle immagini in costrutti verbali, dando luogo a fenomenologie intersemiotiche che fanno dello scrittore giapponese un esempio cruciale di global novel.

L'immagine di Murakami / Calabrese, Stefano. - In: LETTERATURA E LETTERATURE. - ISSN 1971-906X. - 9(2015), pp. 13-29.

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